Monday, 16 April 2012

Dominika



My favourite (and best) sample from the previous assignment was a mini quilted painted silk piece. From this, I was reminded of the boro tradition in Japanese culture and how much I've always been attracted to the haphazard beauty of these pieces made from necessity. I decided to create my own boro style quilt, however subverting the tradition of the use of cheap and readily available hemp fabric, by creating it from silk. The other reason for choosing silk was the fact that I wanted to use a number of eco dye techniques and silk is the best material for this. I created a number of dyed samples, which were then buried in the mud for just under a fortnight. There were also samples that I left unburied to create a contrast between the fabrics. I stitched these all together in an intentionally misaligned way, and then buried the completed piece in some mud. The next step will be to intentionally destroy the piece, creating holes and tears that require patching, and then to patch it up using brighter, more colourful silk to show the difference between the 'old' fabric and the new patches. The photo is really terrible at showing the different nuances in the colours and patterns on the fabric. I think the natural elements are working really well in forming a cohesive piece that isn't entirely uniform.

3 comments:

  1. It sounds like you have tried a good range of techniques, and you had a firm idea of what you intended to do.

    One criticism I gave to everyone in class was the ubiquity of the patchwork rectangle as a textile technique, sewing together a bunch of samples to make one piece. The patching may be adding a layer that takes it beyond this standard treatment, and hopefully will show your creativity and innovation.

    Rodney

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  2. Dominica, I think the use of silk is always a win. There is such a beautiful nature to silk and it works especially well with eco dyes as we all know.

    The reference to the Japanese tradition of Boro is also a strong point. My negative query would be what your final instillation would include? And if you have considered integrating any other materials?

    Erin.

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  3. Dominika, the worn textures and sort of faded paper colour scheme ties in nicely with your box of souvenirs (which was beautiful by the way). Perhaps adding new, brighter colours to the worn away cloth could link in with your interest in your family history, the past and your current life. I look forward to seeing the bright colours!

    How are you planning to edge or finish the piece? Raw edges have their place, but consider different ways to finish the peice, with binding or blanket stitch etc.

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